() Tres llibres inauguren la col·lecció “Biblioteca Secreta”, tres volums que recuperen personatges necessaris de la Barcelona més underground. Pep Gómez escriu sobre Pepe Otal, Joan Vinuesa narra el seu viatge a l’Índia i Xavi Cot explica què va ser el Cuc Sonat.
The book Vázquez Montalbán published in 1987 and which has now been republished in Spanish and translated into Catalan and English would be the ideal book because at the same time as you read it you can tour it as though it were a city.
Comanegra is celebrating the two-hundredth anniversary of Mary Shelley’s novel with seven new titles in which the monster is present and which are set against great moments in the life of the city.
() Esteve Lucerón recull els últims anys de la Perona gitana, quan el barri vivia des de feia temps en el conflicte i l’exclusió, i ho fa sense prejudicis i amb naturalitat.
Somorrostro was inhabited by a working population that was all too often looked upon as marginalised people who did nothing to escape their condition.
The book by Pujol Cruells is neither pleasing nor insulting. By means of the passing of the year, he draws an image of the people of Barcelona based on a meticulous observation of their customs, oddities and craziness.
Fabre is one the journalists who best knows his city. He wrote a splendid doctoral thesis on 1939 Barcelona and played a decisive role in safeguarding the memory of his guild. His new book, which avoids moral condemnation, returns to the post-war world of journalism.
Harry Crews said that talent wasn’t a bad thing in literature, but what mattered was courage. Zanón has more than enough. He speaks of parents and children and grandmothers, of Horta and Guinardó, of the bourgeoisie or of ‘the bottom of the middle class’. When he gets stuck into his neighbourhood and background, his talent spurts like a geyser.
For some time now, non-fiction not only fills the pages of well-known writers like Capote, Mailer, Carrère or Caparrós, but also the illustrated pages of graphic novels, which have allowed the rigorous and socially committed binomium between journalism and comics. Un regalo para Kushbu is the closest example we have in time and space of this hybridisation of genres.
Dalí i Barcelona [Dalí and Barcelona] Author: Ricard Mas Publisher: Barcelona City Council 555 pages Barcelona, 2017 In 1974 my parents took me to a Dalí “happening” at Plaça de la Porxada in Granollers. Dalí was surrounded by an impressive
Nazis a Barcelona. L’esplendor feixista de postguerra (1939-1945) [Nazis in Barcelona. The fascist splendour of the post-war period (1939-1945).] Authors: Mireia Capdevila and Francesc Vilanova Publisher: L’Avenç and Barcelona City Council 227 pages Barcelona, 2017 It is no secret that
Transvestitism and brazen homosexuality reigned supreme on Carrer del Cid. So, too, did treachery, dishonesty and the broken, questionable condition of the people. The owner of La Criolla, who presided over a bar that would turn from a seedy joint into a hotspot, started by playing dirty and ended up worse off.
It is in the squares and streets of the Barcelona of 1992 – the city whose Olympic mascot was Cobi, a Catalan sheepdog – where the author sets the story of Ferran Simó, a young man that war, in the words of the narrator, has turned into a dog. Baulenas once again adds touches of magical realism to the novel.
Today, the term “Barcelona Model” has several different meanings, not just because the elements it incorporates have evolved over the years, but because there is much discussion on which elements actually form part of it.
Nacionalisme espanyol i catalanitat. Cap a una revisió de la Renaixença (Spanish Nationalism and Catalanism. A new perspective on the Catalan Renaissance) Author: Joan-Lluís Marfany Edicions 62 950 pages Barcelona, 2017 La voluntat i la quimera. El noucentisme català entre
As its title implies (Infrared Barcelona. The enchanted city), it is a compilation of 170 photographs taken with analogue film, which picks up infrared light that is invisible to the naked eye.
This book presents the turbulent history of the first ten years of the 20th century, which were to guide Barcelona into the modern age.
Don’t look for any gossip in this book, as what you will find is the humble day-to-day muted routine of the inhabitants of the Barcelona of his time, the second half of the 19th century.
A good book on books. This book thus weaves a stimulating tale about how we have surrounded ourselves with these encapsulated records of memory, and about the role they have played in the city in private and public libraries, publishers, bookshops, mobile libraries, library banks (before the war, on Passeig de Sant Joan), reading campaigns and new social advances that emphasised an educated city where high culture was within reach of the majority.
This book is very well documented and contains a selection of priceless photographs It also reminds us of how many traces still exist of what was once the city’s main water course. By following El Rec, the book guides us through a thousand years of Barcelona’s history.
The Barcelona City Council has published an updated edition of the book Cops de gent. The new edition, with minimal changes, follows the same structure as the original version and expands it with seven new demonstrations that were held between 2004 and 2014.
‘Poesia Contracultura Barcelona’ enables us to enter a time and some works of writing that fought against everything, and even worked to their own detriment. This is the risk of taking on poetry as a way of life, as a form of anger, in a way that could be understood as an act of immolation.
Two recent books by journalist and historian Marc Andreu, published by Els Llibres de L’Avenç, offer a realistic view of the reality of Catalan cities in the second half of the 20th century and early 21st century.
The city transmits a wealth of information that one must know how to interpret. Urban design is amongst the transmitters: a reinterpretation of a particular understanding of the space in which we must live and make things happen. To walk around a city is to continuously decode both obvious and hidden meanings.
The writer Josep Pla said that we Catalans get lost in aesthetics. This book is testament to that. It is a collection of prints, but also an expression of the most popular aesthetics, an account of the quality of the communications professionals of the past and of the roots of Catalan graphic design.